![]() ![]() If all you had was the Frames Track, the Timeline would be so crowded with frames that you would have a hard time finding and selecting the one you want. The reason for this is simple: your animation could be huge (potentially in the thousands of frames if you had enough memory and a fast enough computer). The Frames Track allows you to actually select a specific frame (within the range specified). The Playrange Track shows you how many of the total number of frames (in the entire animation) can be accessed in the Frames Track. The Timeline has two tracks: the Playrange Track in the top half and the Frames Track in the bottom half (most of the names in this tutorial are of my devising based on typical industry terms DAZ may later write a proper manual with different names). ![]() Click on the bar along the top of the Timeline to drag it around. Like any other pane in DAZ Studio, you can maneuver the pane anywhere you like on screen, or even “dock” it in place (such as at the top of the screen). Alternatively, you can press Ctrl+6 (Command-6 in Mac OS X) to make the Timeline visible. ![]() The image above shows the DAZ Studio Timeline, which can be opened by going to the Windows menu and selecting “Timeline” from the options presented.
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![]() ![]() Spielberg finds that aspect relevant to come up with a film that doesn’t violate the classic but acts as its 2021 interpretation. The love story is as old as the hills especially if you’ve grown up on Bollywood romances, but xenophobia and racism are still prevalent in society. The story set in the mid-1950s in the Upper West Side of New York City, follows two rival gangs, the Jets and the Sharks and a doomed love story marred by violence and racial hatred. West Side Story, originally a stage musical by Leonard Bernstein with lyrics by Stephen Sondheim, was adapted into a 1961 film by Robert Wise. Do the star-crossed lovers stand a chance to see a future together? Inspired by William Shakespeare's iconic play Romeo and Juliet, Steven Spielberg perceives his film as not as a remake but a contemporary reimagining of the original classic. He is white (the Jets), she, a Puerto Rican immigrant (Sharks). REVIEW: The two belong to the warring communities of street gangs of different ethnic backgrounds. ![]() It takes a second for the two to find their ‘one and only’. Much against the gender stereotype and quite a bold move for 1950’s, she is the first to steal a kiss. STORY: It’s love at first sight for Tony (Ansel Elgort) and María (Rachel Zegler), when their eyes lock on a passionate dance floor in New York City. ![]() ![]() ![]() Those definitions need to change from scene to scene, so Color Finesse gives you a simple tool to let you decide on the definitions, making three-point correction more intuitive and more effective.Īnd Color Finesse is a true 32-bit floating point color corrector, not just “floating point capable” and not in only a few correction tools. Three-point color correction is a powerful tool, but not when you’re stuck with fixed definitions of what a highlight, midtone, and shadow is. Color Finesse does all its color correction operations without needing to constantly convert formats and round, reducing errors and creating a pristine image.Ĭolor Finesse offers more correction tools-including secondary color correction and curves-than are found in most built-in correctors. Each filter you add increases rounding error and image degradation. Often you’ll need to combine several color correction filters to perform even simple correction. Most video editing software now has its own built-in color correction, but it’s often limited in capability, accuracy, and performance. You get simple access to color correction directly in the host application as well as via the specialized Color Finesse user interface. The Color Finesse 3 PI plug-in works directly in Adobe After Effects, Premiere Pro, and other hosts. Color Finesse – Above and Beyond Built-in Color Correction |
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